![]() Why can I not pull the white curtain aside? Why does it hide your face from me? Wassily Kandinsky, "Sounds" (1982, p. I shall pull the white curtain aside and see your face, and you will not see mine. Through closed lids I can see you looking at me, you who look at me through the white curtain. Why does it conceal your face from me? Why can't I see your face behind the white curtain? Don't look at me through the white curtain! I did not call for you. Why do you look at me through the white curtain? I did not call for you, I did not ask you to look through the white curtain at me. RUTH GOLANįrom the low to the high The winding to the direct Hidden into manifest Gross into subtle Matter into spirit IXįrom the living to the dead, to the eternal From confinement to the unlimited Hesitance to resolution Dimness into brightness Masculinity into femininity Inexorability to resilience From void into fullness, into emptiness From the approximate to the precise The many into the one Fitfulness to constancy Fragility into steadfastness Rigidity into flowing From the partial to the whole Reservation into confidence Adulteration into integrity The recurring to the novel Pollution into purity From ignorance, to knowledge, to not knowing From the sexual to the erotic From something, into nothing Darkness into illumination From dust, to the heavens From serpent into bird From the personal to the all-embracing Limitation to infinity Deficiency into abundance Desire into contentment Slavery into freedom From God to the devil, back to God The following poem, entitled "The Path of Man", is from her most recently published anthology, Flood. Ruth Golan is interested in all that is human. She co-edited a translation into Hebrew of an anthology of Freud's papers on love and sexuality. Loving Psychoanalysis and four anthologies of her poetry have been published in Israel. She is also a member of IEF-a foundation for the study of the evolution of consciousness, headed by Andrew Cohen. She teaches and writes on the way psychoanalysis and culture mutually influence one another. ![]() She lives, works, and teaches in Tel-Aviv and is a member of GIEP (the Israeli Group of the New Lacanian School, headed by J.-A. Is a clinical psychologist, a Lacanian psychoanalyst, and a poet. The return of Orpheus- a psychoanalytic view on realism in contemporary artĮppur si muove!-nevertheless, it does move The letter as place and the place of the letter The secret bearers-from silence to testimony, from the Real to phantasme "A woman's voice is erva"\ the feminine voice and silence- between theTalmudic sages and psychoanalysis Paul Celan and the question of feminine jouissance Phantasy-from Freud to Lacan and from Lacan to the artist Introduction: psychoanalysis and language- getting to know Lacan British Library Cataloguing in Publication Data A C.I.P for this book is available from the British Library ISBN: 1-85575-379-0 Edited, designed, and produced by Communication Crafts Printed in Great Britain Dedicated to the Friend VII Never See No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Translated by Jonathon Martin All rights reserved. Hebrew edition published by Resling, Tel-Aviv, 2002. 6 Pembroke Buildings, London NW10 6RE Copyright © 2006 by Ruth Golan The rights of Ruth Golan to be identified as the author of this work have been asserted in accordance with §§ 77 and 78 of the Copyright Design and Patents Act 1988. LOVING PSYCHOANALYSIS Looking at Culture with Freud and Lacanįirst published in 2006 by H.
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